The Devil as Muse
Blake, Byron, and the Adversary
The Making of the Christian Imagination
Imprint: Baylor University Press
Sales Date: 2011-01-03
215 Pages, 6.00 x 9.00 in
- Published: January 2011
Does the Devil lie at the heart of the creative process? In The Devil as Muse, Fred Parker offers an entirely fresh reflection on the age-old question, echoing William Blake's famous statement: "the true poet is of the Devil's party."
Expertly examining three literary interpretations of the Devil and his influence upon the artist--Milton's Satan in Paradise Lost, the Mephistopheles of Goethe's Faust, and the one who offers daimonic creativity in Thomas Mann's Doctor Faustus--Parker unveils a radical tension between the ethical and the aesthetic. While the Devil is the artist's necessary collaborator and liberating muse, from an ethical standpoint the price paid for such creativity is nothing less damnable than the Faustian pact--and the artist who is creative in that way is seen as accursed, alienated, morally disturbing. In their own different ways, Parker shows, Blake, Byron, and Mann all reflect and acknowledge that tension in their work, and model ways to resolve it through their writing.
Linking these literary conceptions with scholarship on the genesis of the historical conception of the Devil and recent work on the role of "otherness" in creativity, Parker insightfully suggests how creative literature can feel its way back along the processes--both theological and psychological--that lie behind such constructions of the Adversary.
1 Kierkegaard, Don Giovanni, and Doctor Faustus: The Artist as Faust
2 The Devil and the Poet
3 Blake and the Devil's Party
4 Byron's Familiar Spirit
5 Telling the Devil's Story: Doctor Faustus and The Master and Margarita
Beautifully written, effortlessly involving and engaging, The Devil as Muse is, like many of the books that it deals with, a great triumph of the ethical imagination. Parker brilliantly combines great literary sensitivity with good, clear, honest feeling—a work of Socratic imagination and humanity.~Gregory Dart, Senior Lecturer, University College of London
Fred Parker has established himself as one of our shrewdest and most sensitive commentators on eighteenth-century literature. In The Devil as Muse he looks backwards (to Milton) and forwards (to Goethe, Blake, Byron, Thomas Mann, and Mikhail Bulgakov) in a searching, wide-ranging investigation—as compulsively readable as it is subtly nuanced—of the complex and equivocal relations between diabolism and literary inspiration. It is a fascinating inquiry into some of the most profound and mysterious sources of literary creativity.~David Hopkins, Professor of English Literature, Bristol University
Fred Parker breathes new life into a very old question: Where is the Devil in the creative process? His study is a model of unobtrusive scholarship and literary sympathy.~Felicity Rosslyn, author of Alexander Pope: A Literary Life