A Cultural History of Afro-Atlantic Identity, 1774-1903
208 pages, 6.00 x 9.00 in
- Published: February 2013
During the 18th century, American Puritans introduced migrant and enslaved Africans to the Exodus story. In contrast to the ways white Americans appropriated the texts to defend the practice of slavery, African migrants and slaves would recast the Exodus in defense of freedom and equality, creating narratives that would ultimately propel abolition and result in a wellspring of powerful writing.
Drawing on a broad collection of Afro-Atlantic authors, Rhondda Robinson Thomas shows how writers such as Absalom Jones, Daniel Coker, and W.E.B. Du Bois employed the Exodus metanarrative to ask profound, difficult questions of the African experience. These writers employed it as a literary muse, warranting, Thomas contends, that they be classified and studied as a unique literary genre. Through an arresting reading of works renowned to the largely unknown, Claiming Exodus uncovers in these writings a robust foundation for enacting political change and a stimulating picture of Africans constructing a new identity in an unfamiliar homeland.
List of Illustrations
1. Exodus and the Politics of Liberty (1774–1800)
2. Exodus as the Blueprint for Building Free Black Communities (1800–1840)
3. Exodus in the Era of Manifest Destiny (1840–1861)
4. Exodus, the Civil War, and Reconstruction (1861–1877)
5. African Americans in the Nadir (1877–1900)
Thomas searches an impressively vast archive to discover how African-Americans wrestled with the entire Biblical saga of Israelite enslavement and emancipation as they staged their own movement towards self-determination. Importantly, she probes not only the moments when the Exodus saga uplifted and inspired but also when it failed to deliver. Claiming Exodus reminds us why religion matters profoundly to the way Americans imagine themselves out of narrow places.~Joanna Brooks, author of American Lazarus: Religion and the Rise of African-American and Native American Literatures and editor of Transatlantic Feminisms in the Age of Revolutions
The Exodus narrative has met with a long history of fascination and engagement in Black Christianity. Rhondda Thomas has delved into this intersection of race, slavery, and religion operating under the sign of freedom to compose an important contribution to the field of Africana religions.~Sylvester A. Johnson, Associate Professor of African American Studies and Religious Studies, Northwestern University and co-editor, Journal of Africana Religions
Thomas's work is a compact study of the Exodus trope in the African American experience that will benefit general readers as well as undregraduate teachers and their students.~Michael O. West, Binghampton University, The Historian